User:WayslideCool/Sandbox: Difference between revisions
From Inkipedia, the Splatoon wiki
WayslideCool (talk | contribs) No edit summary |
Nukleopatra (talk | contribs) m (Text replacement - "’" to "'") |
||
| Line 122: | Line 122: | ||
⏺At least it's not the "straight-up rascalliness" that was sweeping Inkopolis a few years ago. | ⏺At least it's not the "straight-up rascalliness" that was sweeping Inkopolis a few years ago. | ||
MIZOLE: Ah, yeah, that's the kind of thing I wanted to do. Those days were filled with an unbridled "excitement to see the world for the first time" kind of feeling. Now | MIZOLE: Ah, yeah, that's the kind of thing I wanted to do. Those days were filled with an unbridled "excitement to see the world for the first time" kind of feeling. Now we've let it seep into our bodies, and our output is a kind of a "determination to keep on sharing it with like-minded people." I don't know if I'm putting this well. | ||
⏺I see. For example, when you guys covered the iconic Squid Squad song "Now or Never", which seems to be a symbol of those days, you have a big group of people chanting "Yeah..." in a laid-back B-melody. | ⏺I see. For example, when you guys covered the iconic Squid Squad song "Now or Never", which seems to be a symbol of those days, you have a big group of people chanting "Yeah..." in a laid-back B-melody. | ||
| Line 146: | Line 146: | ||
RYAN: Even on days when we go to the studio, they start practicing the rhythm line a couple hours early. | RYAN: Even on days when we go to the studio, they start practicing the rhythm line a couple hours early. | ||
KAZAMI: Hey the songs are hard! | KAZAMI: Hey the songs are hard! It's fun though. | ||
⏺What was the most difficult song for you two to play? | ⏺What was the most difficult song for you two to play? | ||
| Line 152: | Line 152: | ||
KAZAMI: It's definitely "Don't Slip". That riff is in such a weird time signature! Surprising that RYAN wrote that riff. | KAZAMI: It's definitely "Don't Slip". That riff is in such a weird time signature! Surprising that RYAN wrote that riff. | ||
RYAN: When I was working on it, I didn't realize that it had an odd time signature, but when I recorded it on my computer, I thought, "Huh? | RYAN: When I was working on it, I didn't realize that it had an odd time signature, but when I recorded it on my computer, I thought, "Huh? Something's weird about it...'' (laughs) | ||
TSUMABUSHI: The drum 'n bass in "Undertow" was pretty tough too. The break comes so fast. | TSUMABUSHI: The drum 'n bass in "Undertow" was pretty tough too. The break comes so fast. | ||
| Line 166: | Line 166: | ||
RYAN: That's intense. | RYAN: That's intense. | ||
⏺It certainly starts off with a kind of embarrassingly classic feel, but it doesn't stop there, as what happens after that is dizzying. That's what makes Wet Floor so unique. And that unstoppableness isn't just in the songs; as I said at the beginning of this interview, I think it can be said for the variety of the | ⏺It certainly starts off with a kind of embarrassingly classic feel, but it doesn't stop there, as what happens after that is dizzying. That's what makes Wet Floor so unique. And that unstoppableness isn't just in the songs; as I said at the beginning of this interview, I think it can be said for the variety of the song's musicality too. The album itself has a completely different mood than your previous works. | ||
MIZOLE: Are you bored with it? What is that "what we haven't done yet?” | MIZOLE: Are you bored with it? What is that "what we haven't done yet?” That's what I'm always looking for when working on the next song. | ||
KAGI: It's just like in Turf Wars. "I've already inked this place! Is there any place I haven't yet?” (laughs) | KAGI: It's just like in Turf Wars. "I've already inked this place! Is there any place I haven't yet?” (laughs) | ||
⏺Maybe there's another band that will ‘ink you | ⏺Maybe there's another band that will ‘ink you back' even more. | ||
MIZOLE: | MIZOLE: Wouldn't that be super interesting? It'd be exciting to see the music scene become more colorful like that again. | ||
}} | }} | ||
