Splatune 2 (Splatoon 2 Original Soundtrack): Difference between revisions
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Driftin Soul (talk | contribs) m (Text replacement - "Bomb Rush Blush (song)" to "Bomb Rush Blush") |
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|- style="text-align:center" | |- style="text-align:center" | ||
| 22 | | 22 | ||
| The Shoal | | [[The Shoal (song)|The Shoal]] | ||
| イカッチャ | | イカッチャ | ||
| Ikatcha | | Ikatcha | ||
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|- style="text-align:center" | |- style="text-align:center" | ||
| 27 | | 27 | ||
|[[Deluge Dirge#Surge & Submerge| | |[[Deluge Dirge#Surge & Submerge|Surge & Submerge]] | ||
| 膏肓 | | 膏肓 | ||
| Kōkō | | Kōkō | ||
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|- style="text-align:center" | |- style="text-align:center" | ||
| 26 | | 26 | ||
| [[Bomb Rush Blush | | [[Bomb Rush Blush#Bomb Rush Blush (DJ Octavio)|Bomb Rush Blush]] | ||
| トキメキ☆ボムラッシュ | | トキメキ☆ボムラッシュ | ||
| Tokimeki☆Bomb Rush | | Tokimeki☆Bomb Rush | ||
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* ''[[Octo Canyon (song)|Octo Canyon]]'' contains all five versions that play depending on which zone the player is in. | * ''[[Octo Canyon (song)|Octo Canyon]]'' contains all five versions that play depending on which zone the player is in. | ||
* ''[[Octarmaments]]'' contains all three versions that coincide with the three phases of each boss. | * ''[[Octarmaments]]'' contains all three versions that coincide with the three phases of each boss. | ||
* ''[[ | * ''[[Bomb Rush Blush]]'' does not fade out, but instead transitions to ''[[Tidal Rush]]'', as what happens in-game. | ||
* ''[[Tidal Rush]]'' starts with the beat that plays after completing the second phase of the final boss. | * ''[[Tidal Rush]]'' starts with the beat that plays after completing the second phase of the final boss. | ||
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{{Quote| | {{Quote| | ||
Rasta ruminai yonabiarubawe< | Rasta ruminai yonabiarubawe<br> | ||
Nyunennai wiramoranirakurai< | Nyunennai wiramoranirakurai<br> | ||
Rasta riposei nyuzetarahankista< | Rasta riposei nyuzetarahankista<br> | ||
Monin nyunennai | Monin nyunennai | ||
Wasaponnatai za nemora tashiniraomaigemora< | Wasaponnatai za nemora tashiniraomaigemora<br> | ||
Gatubichenira | Gatubichenira | ||
Kinahenzagon nenon iriyou< | Kinahenzagon nenon iriyou<br> | ||
Mirimamirimahoukou kouchaichaichai< | Mirimamirimahoukou kouchaichaichai<br> | ||
Watsatsanemora tashiniraomaigemora< | Watsatsanemora tashiniraomaigemora<br> | ||
Kanishirayou kanishirayou matsumeramouganagana baibai | Kanishirayou kanishirayou matsumeramouganagana baibai | ||
Watsatsanemora kanishirabaibaigemora< | Watsatsanemora kanishirabaibaigemora<br> | ||
Wasaponnachenira gana bai | Wasaponnachenira gana bai | ||
WOW wikanirasta ninokurai (janpai!)< | WOW wikanirasta ninokurai (janpai!)<br> | ||
Pikaporabari ninohai (tannai!)< | Pikaporabari ninohai (tannai!)<br> | ||
Onyasai yaustau buroinowa (raihai!) | Onyasai yaustau buroinowa (raihai!) | ||
WOW wikanirasta ninokurai (janpai!)< | WOW wikanirasta ninokurai (janpai!)<br> | ||
Pikaporabari ninohai (tannai!)< | Pikaporabari ninohai (tannai!)<br> | ||
Tiryugai spraen praen yuwobira (raihai!)}} | Tiryugai spraen praen yuwobira (raihai!)}} | ||
{{Quote| | {{Quote| | ||
ラスタ ルミナイ ヨナビアルバウェ< | ラスタ ルミナイ ヨナビアルバウェ<br> | ||
にゅねんない うぃらもらにらくらい< | にゅねんない うぃらもらにらくらい<br> | ||
ラスタ リポセイ ニュゼタラハンキスタ< | ラスタ リポセイ ニュゼタラハンキスタ<br> | ||
もにん にゅねんない | もにん にゅねんない | ||
わさぽんなたい ざ ねもら たしにらおまいげもら< | わさぽんなたい ざ ねもら たしにらおまいげもら<br> | ||
がとぅびちぇにら | がとぅびちぇにら | ||
きなへんざごん ねのん いりよう< | きなへんざごん ねのん いりよう<br> | ||
みりまみりまほうこう こうちゃいちゃいちゃい | みりまみりまほうこう こうちゃいちゃいちゃい | ||
わつぁつぁねもら たしにらおまいげもら< | わつぁつぁねもら たしにらおまいげもら<br> | ||
かにしらよう かにしらよう まつめらもうがながな ばいばい | かにしらよう かにしらよう まつめらもうがながな ばいばい | ||
わつぁつぁねもら かにしらばいばいげもら< | わつぁつぁねもら かにしらばいばいげもら<br> | ||
わさぽんなちぇにら がな ばい | わさぽんなちぇにら がな ばい | ||
WOW ウィカニラスタ ニノクライ (じゃんぱい!)< | WOW ウィカニラスタ ニノクライ (じゃんぱい!)<br> | ||
ピカポラバリ ニノハイ (たんない!)< | ピカポラバリ ニノハイ (たんない!)<br> | ||
オニャサイ ヤウスタウ ブロイノワ (らいはい!) | オニャサイ ヤウスタウ ブロイノワ (らいはい!) | ||
WOW ウィカニラスタ ニノクライ (じゃんぱい!)< | WOW ウィカニラスタ ニノクライ (じゃんぱい!)<br> | ||
ピカポラバリ ニノハイ (たんない!)< | ピカポラバリ ニノハイ (たんない!)<br> | ||
ティリュガイ スプラエン プラエン ユウォビラ (らいはい!)}} | ティリュガイ スプラエン プラエン ユウォビラ (らいはい!)}} | ||
}} | }} | ||
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{{Quote| | {{Quote| | ||
Nasta!< | Nasta!<br> | ||
Riva!< | Riva!<br> | ||
Heire!< | Heire!<br> | ||
Terakonide! | Terakonide! | ||
Dibon!< | Dibon!<br> | ||
Taimaska!< | Taimaska!<br> | ||
Stimi!< | Stimi!<br> | ||
Wiraonnyasa! | Wiraonnyasa! | ||
(scat) | (scat) | ||
Raizonnei< | Raizonnei<br> | ||
Nyurazastei< | Nyurazastei<br> | ||
Dismisaidon gyaro gyaro | Dismisaidon gyaro gyaro | ||
Wastireimyun< | Wastireimyun<br> | ||
Minakeijun< | Minakeijun<br> | ||
Kozozawaden joriruni | Kozozawaden joriruni | ||
Raizonnei nyurazastei< | Raizonnei nyurazastei<br> | ||
Dismisaidon gyaro gyaro< | Dismisaidon gyaro gyaro<br> | ||
Wastireimyun minakeijun< | Wastireimyun minakeijun<br> | ||
Tojuranahabete zeriru bitinnu WOW | Tojuranahabete zeriru bitinnu WOW | ||
Heinasa! Dyuwatsa! Zeimina!< | Heinasa! Dyuwatsa! Zeimina!<br> | ||
Saponnyaro!< | Saponnyaro!<br> | ||
Kanfide! | Kanfide! Stapin'wize! Yodontorize!<br> | ||
Bitinnu WOW}} | Bitinnu WOW}} | ||
{{Quote| | {{Quote| | ||
なすた!< | なすた!<br> | ||
リヴァ!< | リヴァ!<br> | ||
へいれ!< | へいれ!<br> | ||
てらこにで! | てらこにで! | ||
ディボン!< | ディボン!<br> | ||
たいますか!< | たいますか!<br> | ||
スティミ!< | スティミ!<br> | ||
うぃらおんにゃさ! | うぃらおんにゃさ! | ||
(scat) | (scat) | ||
ライゾンネイ< | ライゾンネイ<br> | ||
にゅらざすてい< | にゅらざすてい<br> | ||
ディスミサイドン ギャロ ギャロ | ディスミサイドン ギャロ ギャロ | ||
ワスティレイミュン< | ワスティレイミュン<br> | ||
みなけいじゅん< | みなけいじゅん<br> | ||
コゾザワデン ジョリルニ | コゾザワデン ジョリルニ | ||
ライゾンネイ ニュラザステイ< | ライゾンネイ ニュラザステイ<br> | ||
ディスミサイドン ギャロ ギャロ | ディスミサイドン ギャロ ギャロ | ||
ワスティレイミュン ミナケイジュン< | ワスティレイミュン ミナケイジュン<br> | ||
トジュラナハベテ ゼリル ビティンヌ WOW | トジュラナハベテ ゼリル ビティンヌ WOW | ||
へいなさ! でゅわつぁ! ぜいみな!< | へいなさ! でゅわつぁ! ぜいみな!<br> | ||
サポンニャロ< | サポンニャロ<br> | ||
かんふぃで! すたぴんうぃぜ! よどんとりぜ!< | かんふぃで! すたぴんうぃぜ! よどんとりぜ!<br> | ||
ビティンヌ WOW}} | ビティンヌ WOW}} | ||
}} | }} | ||
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{{Quote| | {{Quote| | ||
Rakino rakino rakinoyo ribirribittasane< | Rakino rakino rakinoyo ribirribittasane<br> | ||
Sharami sharami sharamiyo migattanonisou< | Sharami sharami sharamiyo migattanonisou<br> | ||
Wizaro wizaro wizarone diraddirattapanke< | Wizaro wizaro wizarone diraddirattapanke<br> | ||
Sharira< | Sharira<br> | ||
Janpara< | Janpara<br> | ||
Mekidabiyasou | Mekidabiyasou | ||
Mawadi ruwari jarunashade< | Mawadi ruwari jarunashade<br> | ||
Miwata yohara winiserame< | Miwata yohara winiserame<br> | ||
Daribo< | Daribo<br> | ||
Yannero< | Yannero<br> | ||
Gainapati meduchi< | Gainapati meduchi<br> | ||
Dastaniracha wakutamonasa | Dastaniracha wakutamonasa | ||
Shiwaka charota nimerayaso< | Shiwaka charota nimerayaso<br> | ||
Mikero hejero yunakoraso | Mikero hejero yunakoraso | ||
Jettara< | Jettara<br> | ||
Manyaba< | Manyaba<br> | ||
Yerouname rewaka< | Yerouname rewaka<br> | ||
Dastaniracha dastaniracha | Dastaniracha dastaniracha | ||
Chas chas pas< | Chas chas pas<br> | ||
Pas pras idonteiko< | Pas pras idonteiko<br> | ||
Chemikori digenonnon< | Chemikori digenonnon<br> | ||
Shizamina ratatuya baraneranonenoto< | Shizamina ratatuya baraneranonenoto<br> | ||
Saifai zatsugeron | Saifai zatsugeron | ||
Pas pras yokendo< | Pas pras yokendo<br> | ||
Narawi narawi narawija diginnaturisoso< | Narawi narawi narawija diginnaturisoso<br> | ||
Mirani mirani miraniyo< | Mirani mirani miraniyo<br> | ||
Saifai zatsugeronto fainaibai}} | Saifai zatsugeronto fainaibai}} | ||
{{Quote| | {{Quote| | ||
ラキノ ラキノ ラキノヨ リビッリビッタサネ< | ラキノ ラキノ ラキノヨ リビッリビッタサネ<br> | ||
しゃらみ しゃらみ しゃらみよ みがったのにそう< | しゃらみ しゃらみ しゃらみよ みがったのにそう<br> | ||
ウィザロ ウィザロ ウィザロネ ディラッディラッタパンケ< | ウィザロ ウィザロ ウィザロネ ディラッディラッタパンケ<br> | ||
シャリラ< | シャリラ<br> | ||
じゃんぱら< | じゃんぱら<br> | ||
メキダビヤソウ | メキダビヤソウ | ||
マワディ ルワリ ジャルナシャデ< | マワディ ルワリ ジャルナシャデ<br> | ||
みわた よはら うぃにせらめ | みわた よはら うぃにせらめ | ||
ダリボ< | ダリボ<br> | ||
やんねろ< | やんねろ<br> | ||
ガイナパティ メドゥチ< | ガイナパティ メドゥチ<br> | ||
ダスタニラチャ ワクタモナサ | ダスタニラチャ ワクタモナサ | ||
しわか ちゃろた にめらやそ< | しわか ちゃろた にめらやそ<br> | ||
ミケロ ヘジェロ ユナコラソ | ミケロ ヘジェロ ユナコラソ | ||
じぇったら< | じぇったら<br> | ||
マニャバ< | マニャバ<br> | ||
いぇろうなめ れわか< | いぇろうなめ れわか<br> | ||
ダスタニラチャ ダスタニラチャ | ダスタニラチャ ダスタニラチャ | ||
ちゃす ちゃす ぱす< | ちゃす ちゃす ぱす<br> | ||
ぱす ぷらす いどんていこ< | ぱす ぷらす いどんていこ<br> | ||
ちぇみこり でぃげのんのん< | ちぇみこり でぃげのんのん<br> | ||
しざみな らたとぅや ばらねらのねのと< | しざみな らたとぅや ばらねらのねのと<br> | ||
さいふぁい ざつげろん | さいふぁい ざつげろん | ||
ぱす ぷらす よけんど< | ぱす ぷらす よけんど<br> | ||
ならうぃ ならうぃ ならうぃじゃ でぃぎんなとぅりそそ< | ならうぃ ならうぃ ならうぃじゃ でぃぎんなとぅりそそ<br> | ||
みらに みらに みらによ< | みらに みらに みらによ<br> | ||
さいふぁい ざつげろんと ふぁいないばい}} | さいふぁい ざつげろんと ふぁいないばい}} | ||
}} | }} | ||
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{{Quote| | {{Quote| | ||
Astafmeya dennuhi< | Astafmeya dennuhi<br> | ||
Irabi miya zurunadi< | Irabi miya zurunadi<br> | ||
Distikumiya yugannazi< | Distikumiya yugannazi<br> | ||
Deraestef panjayobi< | Deraestef panjayobi<br> | ||
Sherauste | Sherauste | ||
Churibahinaie yaimare< | Churibahinaie yaimare<br> | ||
Jarudanmiresrai chorapene< | Jarudanmiresrai chorapene<br> | ||
Dirennu saidamira yogonabe< | Dirennu saidamira yogonabe<br> | ||
Deraestef panjayobi | Deraestef panjayobi | ||
Mauna.na.na yasshijuminaha ha.ha< | Mauna.na.na yasshijuminaha ha.ha<br> | ||
Di.di.di keshufunirakoma masana< | Di.di.di keshufunirakoma masana<br> | ||
Ke.ke.ke keshufuyorogajo jo.jo< | Ke.ke.ke keshufuyorogajo jo.jo<br> | ||
Anufu dinmina minajin< | Anufu dinmina minajin<br> | ||
Shanashana branashana | Shanashana branashana | ||
Keremariteremarichanerarineraji< | Keremariteremarichanerarineraji<br> | ||
Rani estanebi< | Rani estanebi<br> | ||
Yomashasta shoade}} | Yomashasta shoade}} | ||
{{Quote| | {{Quote| | ||
アスタフメヤ デンヌヒ< | アスタフメヤ デンヌヒ<br> | ||
イラビ ミヤ ズルナディ< | イラビ ミヤ ズルナディ<br> | ||
ディスティクミヤ ユガンナズィ< | ディスティクミヤ ユガンナズィ<br> | ||
デラエステフ パンジャヨビ< | デラエステフ パンジャヨビ<br> | ||
シェラウステ | シェラウステ | ||
ちゅりばひないえ やいまれ< | ちゅりばひないえ やいまれ<br> | ||
じゃるだんみれすらい ちょらぺね< | じゃるだんみれすらい ちょらぺね<br> | ||
でぃれんぬ さいだみら よごなべ< | でぃれんぬ さいだみら よごなべ<br> | ||
でらえすてふ ぱんじゃよび | でらえすてふ ぱんじゃよび | ||
マウナ・ナ・ナ ヤッシジュミナハ ハ・ハ< | マウナ・ナ・ナ ヤッシジュミナハ ハ・ハ<br> | ||
ディ・ディ・ディ ケシュフニラコマ マサナ< | ディ・ディ・ディ ケシュフニラコマ マサナ<br> | ||
ケ・ケ・ケ ケシュフヨロガジョ ジョ・ジョ< | ケ・ケ・ケ ケシュフヨロガジョ ジョ・ジョ<br> | ||
アヌフ ディンミナ ミナジン< | アヌフ ディンミナ ミナジン<br> | ||
シャナシャナ ブラナシャナ | シャナシャナ ブラナシャナ | ||
けれまりてれまりちゃねらりねらじ | けれまりてれまりちゃねらりねらじ | ||
らに えすたねび< | らに えすたねび<br> | ||
よましゃすた しょあで}} | よましゃすた しょあで}} | ||
}} | }} | ||
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==Credits== | ==Credits== | ||
===Music | ===Music by=== | ||
*[[Toru Minegishi]] (disk 1 1-11, 17-23, 33, 34, disk 2 1-13, 15-20, 24, 25, 48) | *[[Toru Minegishi]] (disk 1 1-11, 17-23, 33, 34, disk 2 1-13, 15-20, 24, 25, 48) | ||
*[[Ryo Nagamatsu]] (disk 1 track 12-16, 24-32, disk 2 14, 22, 23, 26-28, 47) | *[[Ryo Nagamatsu]] (disk 1 track 12-16, 24-32, disk 2 14, 22, 23, 26-28, 47) | ||
*[[Shiho Fujii]] (disk 1 33, disk 2 13, 21, 26-29) | *[[Shiho Fujii]] (disk 1 33, disk 2 13, 21, 26-29) | ||
===Sound Effects | ===Sound Effects by=== | ||
*[[Takahisa Yamamoto]] (disk 1 33, disk 2 30, 31, 33-39, 44, 46) | *[[Takahisa Yamamoto]] (disk 1 33, disk 2 30, 31, 33-39, 44, 46) | ||
*[[Mitsuhiro Kida]] (disk 1 20) | *[[Mitsuhiro Kida]] (disk 1 20) | ||
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*Piano: [[Ai Kuwabara]] (disk 1 15, 16) | *Piano: [[Ai Kuwabara]] (disk 1 15, 16) | ||
===Recorded & ProTools | ===Recorded & ProTools operated by=== | ||
*[[Takashi Koiwa]] (disk 1 1-7, 9, 11-17, 27-19, 33, disk 2 1, 3-6, 8, 26-19; as Takashi Koiwa (SIGN SOUND LLC)) | *[[Takashi Koiwa]] (disk 1 1-7, 9, 11-17, 27-19, 33, disk 2 1, 3-6, 8, 26-19; as Takashi Koiwa (SIGN SOUND LLC)) | ||
===Mixed & ProTools | ===Mixed & ProTools operated by=== | ||
*Takashi Koiwa (disk 1 12-16; as Takashi Koiwa (SIGN SOUND LLC)) | *Takashi Koiwa (disk 1 12-16; as Takashi Koiwa (SIGN SOUND LLC)) | ||
Line 1,062: | Line 1,062: | ||
S2 Band Bottom Feeders.jpg|[[Bottom Feeders]] cover art | S2 Band Bottom Feeders.jpg|[[Bottom Feeders]] cover art | ||
S2 Band Ink Theory.jpg|[[Ink Theory]] cover art | S2 Band Ink Theory.jpg|[[Ink Theory]] cover art | ||
S2 Band DJ Real Sole. | S2 Band DJ Real Sole.png|''[[New You]]'' single cover art, by [[DJ Real Sole]] | ||
S2 Band Grizzco Industries.jpg|[[Grizzco Industries]] cover art | S2 Band Grizzco Industries.jpg|[[Grizzco Industries]] cover art | ||
S2 Band Omega-3 Artwork.jpg|[[ω-3]] cover art | S2 Band Omega-3 Artwork.jpg|[[ω-3]] cover art | ||
S2 Band Off the Hook. | S2 Band Off the Hook.png|[[Off the Hook]] cover art | ||
S2 Band Turquoise October.png|[[Turquoise October]] cover art | S2 Band Turquoise October.png|[[Turquoise October]] cover art | ||
S2 Band Squid Sisters. | S2 Band Squid Sisters.png|[[Squid Sisters]] cover art | ||
</gallery> | </gallery> | ||
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==Trivia== | ==Trivia== | ||
* This is the first album in the ''Splatoon'' series to not have a bonus track. | * This is the first album in the ''Splatoon'' series to not have a bonus track. | ||
* Unlike previous albums with music featured on previews, the version of | * Unlike previous albums with music featured on previews, the version of ''Inkoming!'' from the Nintendo Switch Presentation 2017 trailer still contains sound effects. | ||
==See also== | ==See also== | ||
*''[[Splatune (Splatoon Original Soundtrack)]]'' | *''[[Splatune (Splatoon Original Soundtrack)]]'' | ||
*''[[Octotune (Splatoon 2 Original Soundtrack)]]'' | |||
*''[[Splatune 3 (Splatoon 3 Original Soundtrack)]]'' | *''[[Splatune 3 (Splatoon 3 Original Soundtrack)]]'' | ||
Revision as of 23:13, 10 July 2024
![](http://cdn.wikimg.net/en/splatoonwiki/images/thumb/8/88/Splatune2.jpg/200px-Splatune2.jpg)
![](http://cdn.wikimg.net/en/splatoonwiki/images/thumb/9/91/S3_Sticker_Sunken_Scroll_21.png/40px-S3_Sticker_Sunken_Scroll_21.png)
Splatune 2 is the first original soundtrack for Splatoon 2, and serves as a sequel to the first Splatune. It features two discs with 82 tracks total of in-game music and sound effects. Also included are album cover art of the various bands featured in the game, lyrics to the music by Off the Hook and interviews with Wet Floor and Marina. The first production run also came with a Splatoon-themed guitar pick. It was released in Japan on 29 November 2017.[1][2]
It debuted at #4 on the Oricon Albums Chart and at #11 on the Billboard Japan Hot Albums chart.[3] It sold 18,007 copies during its launch week.[4]
It was later accompanied by Octotune and Splatoon 2 Live in Makuhari -Tentalive-.
Tracks
Disc 1
Track no. | English song title | Japanese song title | Romanization | English artist name | Japanese artist name | Romanization |
---|---|---|---|---|---|---|
1 | Opening | Wet Floor | ||||
2 | Inkoming! | |||||
3 | Rip Entry | |||||
4 | Undertow | |||||
5 | Don't Slip | |||||
6 | Endolphin Surge | |||||
7 | Now or Never! | |||||
8 | "Victory! – Jingle" | バトル 勝ちジングル | Battle – Kachi Jingle | |||
9 | Turf Master | |||||
10 | "Defeat - Jingle" | バトル 負けジングル | Battle – Make Jingle | |||
11 | Ink Another Day | |||||
12 | Shipwreckin' | Shipwreckin'~沈まばもろとも~ | Shipwreckin' ~Shizumaba Moro Tomo~ | Bottom Feeders | From Bottom | |
13 | Fins & Fiddles | Fins & Fiddles ~深海の喜劇~ | Fins & Fiddles ~Shinkai no Kigeki~ | |||
14 | Seafoam Shanty | Seafoam Shanty ~荒波ロデオ~ | Seafoam Shanty ~Aranami Rodeo~ | |||
15 | Broken Coral | 可憐なタクティクス | Karen'na Tactics | Ink Theory | カレントリップ | Current Rip |
16 | Riptide Rupture | 不意打ちのセオリー | Fuiuchi no Theory | |||
17 | Inkoming! (Cloud Demo) | Wet Floor | ||||
18 | "Visiting Inkopolis Square" | ハイカラスクエア 初回入場 | High-Color Square– Shokai Nyūjō | N/A | ||
19 | "Inkopolis Square Tutorial" | ハイカラスクエア チュートリアル | High-Color Square – Tutorial | |||
20 | "Inkopolis Square" | ハイカラスクエア | High-Color Square | |||
21 | Without a Dop Doubt | |||||
22 | The Shoal | イカッチャ | Ikatcha | |||
23 | Dubble Bath (DIY Remix) | Ika Jamaica (DIY Remix) | Bob Dub | Cala Marley | ||
24 | New You | DJ Real Sole | ||||
25 | Happy Little Workers | カガヤクンデス・マーチ | Kagayakundesu March | Grizzco Industries | クマサン商会 | Kuma-san Shōkai |
26 | "Salmon Run Opening" | サーモンラン オープニング | Salmon Run Opening | |||
27 | Surge & Submerge | 膏肓 | Kōkō | ω-3 | ||
28 | Deluge Dirge | 囂々 | Gōgō | |||
29 | Fishing Frenzy | 竜穴 | Ryūketsu | |||
30 | "Salmon Run Success Jingle" | サーモンラン 成功ジングル | Salmon Run Seikō Jingle | Grizzco Industries | クマサン商会 | Kuma-san Shōkai |
31 | "Salmon Run Failure Jingle" | サーモンラン 失敗ジングル | Salmon Run Shippai Jingle | |||
32 | Ever Further | キット・モット | Kitto Motto | |||
33 | Inkopolis News | ハイカラニュース | High-Color News | Off the Hook | テンタクルズ | Tentacles |
34 | "Splatfest – Theme Announcement" | フェス お題発表 | Fes – O Dai Happyō |
Disc 2
Track no. | English song title | Japanese song title | Romanization | English artist name | Japanese artist name | Romanization |
---|---|---|---|---|---|---|
1 | Color Pulse | ウルトラ・カラーパルス | Ultra Color Pulse | Off the Hook | テンタクルズ | Tentacles |
2 | "Splatfest – Match Opening" | フェスマッチ オープニング | Fes Match – Opening | |||
3 | Ebb & Flow | フルスロットル・テンタクル | Full Throttle Tentacle | |||
4 | Acid Hues | リップル・リフレイン | Ripple Refrain | |||
5 | Muck Warfare | レッド・ホット・エゴイスト | Red Hot Egoist | |||
6 | Now or Never! | イマ・ヌラネバー! | Ima Nuraneba! | |||
7 | "Splatfest Victory! – Jingle" | フェスマッチ 勝ちジングル | Fes – Kachi Jingle | |||
8 | Fest Zest | フェスティバル・ゼスト | Festival Zest | |||
9 | "Splatfest Defeat – Jingle" | フェスマッチ 負けジングル | Fes – Make Jingle | |||
10 | Party's Over | パーティーズ・オーバー | Party's Over | |||
11 | "Splatfest – Final Results" | フェス 最終結果発表 | Fes – Saishū Kekka Happyō | |||
12 | "Reward Jingle" | ゲットジングル | Get Jingle | |||
13 | Low Tide | スミソアエの朝 | Sumisoae no Asa | |||
14 | Octo Canyon | タコツボキャニオン | Takotsubo Canyon | Turquoise October | OCTOTOOL | |
15 | Octo Eight-Step | Eighteen-Legged Concerto | ||||
16 | The Girl from Inkopolis | The Girl from High-Color | ||||
17 | Buoyant Boogie | |||||
18 | Shooting Starfish | |||||
19 | Tentacular Circus | |||||
20 | Cephaloparade | |||||
21 | Octoling Rendezvous | Tacozones Rendezvouz | ||||
22 | "Boss Entrance" | 戦略タコツボ兵器 登場 | Senryaku Takotsubo Heiki Tōjō | |||
23 | Octarmaments | |||||
24 | "Hero Mode – Onward!" | ヒーローモード つづく! | "Hero Mode – Tsudzuku!" | |||
25 | "Hero Mode – R.I.P." | ヒーローモード Miss!! | Hero Mode – Miss!! | |||
26 | Bomb Rush Blush | トキメキ☆ボムラッシュ | Tokimeki☆Bomb Rush | DJ Octavio feat. Callie | DJ Octavio feat. AORI | |
27 | Tidal Rush | ボムラッシュの夜 | Bomb Rush no Yoru | DJ Octavio feat. Callie vs. Marie | DJ Octavio feat. AORI vs ホタル | DJ Octavio feat. AORI vs Hotaru |
28 | Spicy Calamari Inkantation | 濃口シオカラ節 | Koikuchi Shiokara-Bushi | Squid Sisters | シオカラーズ | Sea O'Colors |
29 | Fresh Start | あさってColor | Asatte Color | |||
30 | "SFX: Splat Dualies" | SE: スプラマニューバー | SFX: Splat Manuver | |||
31 | "SFX: Splat Charger" | SE: スプラチャージャー | SE: Splat Charger | |||
32 | "SFX: Splat Brella" | SE: パラシェルター | SE: Parashelter | |||
33 | "SFX: Autobomb" | SE: ロボットボム | SE: Robot Bomb | |||
34 | "SFX: Tenta Missiles" | SE: マルチミサイル | SE: Multi-Mussile | |||
35 | "SFX: Ink Armor" | SE: インクアーマー | SE: Ink Armor | |||
36 | "SFX: Sting Ray" | SE: ハイパープレッサー | SE: Hyper Presser | |||
37 | "SFX: Inkjet" | SE: ジェットパック | SE: Jet Pack | |||
38 | "SFX: Splashdown" | SE: スーパーチャクチ | SE: Super Chakuchi | |||
39 | "SFX: Baller" | SE: イカスフィア | SE: Ika Sphere | |||
40 | "SFX: Inkling Boy – This Way!" | SE: 声(ボーイ)カモン | SE: Koe (Boy) Come On | |||
41 | "SFX: Inkling Boy – Joy" | SE: 声(ボーイ)悦び | SE: Koe (Boy) Yorokobi | |||
42 | "SFX: Inkling Girl – This Way!" | SE: 声(ガール)カモン | SE: Koe (Girl) Come On | |||
43 | "SFX: Inkling Girl – Joy" | SE: 声(ガール)悦び | SE: Koe (Girl) Yorokobi | |||
44 | "SFX: Off the Hook's Motto" | SE: 声(テンタクルズ)キメ台詞 | SE: Koe (Tentacles) Kimezerifu | |||
45 | "SFX: Tower Control – Moving Tower" | SE: ガチヤグラが往く | SE: Gachi Yagura Ga Iku | |||
46 | "SFX: Depositing Golden Eggs" | SE: 金イクラ奉納 | SE: Kin Ikura Hōnō | |||
47 | Get The Shining Future! (A Message from Grizzco Industries – Background Music) | Get The Shining Future!(クマサン商会 バイト募集ビデオBGM) | Get The Shining Future! (Kuma-san Shōkai Baito Boshū Video BGM) | Grizzco Industries | クマサン商会 | Kuma-san Shōkai |
48 | Nintendo Switch Presentation 2017 Soundtrack | 2017.1 PV SoundTrack |
Changes
Some songs contain slight changes in arrangement from the versions used in the game.
- Songs by Wet Floor and Off the Hook have louder vocals than their in-game versions.
- Inkoming! sounds different when it starts to loop. It has a proper ending as well, as opposed to fading out.
- The synth solo in Endolphin Surge is changed.
- The reverb effect on the trumpet in Broken Coral is removed.
- Inkopolis Square starts with the main speaker music before fading into the background to play the jingles that play from other speakers in the Square, and then fading back in before the song finally fades out.
- Dubble Bath (DIY Remix) has brief moments where the sound is distorted as if a control stick was quickly tilted while in a lobby. The sound clips that only play if the Control Pad is pressed are also present.
- Inkopolis News has a section where Marina's record scratches play, and then ends properly.
- Octo Canyon contains all five versions that play depending on which zone the player is in.
- Octarmaments contains all three versions that coincide with the three phases of each boss.
- Bomb Rush Blush does not fade out, but instead transitions to Tidal Rush, as what happens in-game.
- Tidal Rush starts with the beat that plays after completing the second phase of the final boss.
Lyrics
From the booklet included with Splatune 2. They are all nonsensical; the Japanese hiragana and katakana simply give the pronunciation.
“ |
Rasta ruminai yonabiarubawe Wasaponnatai za nemora tashiniraomaigemora Kinahenzagon nenon iriyou Watsatsanemora tashiniraomaigemora Watsatsanemora kanishirabaibaigemora WOW wikanirasta ninokurai (janpai!) WOW wikanirasta ninokurai (janpai!) |
” |
“ |
ラスタ ルミナイ ヨナビアルバウェ わさぽんなたい ざ ねもら たしにらおまいげもら きなへんざごん ねのん いりよう わつぁつぁねもら たしにらおまいげもら わつぁつぁねもら かにしらばいばいげもら WOW ウィカニラスタ ニノクライ (じゃんぱい!) WOW ウィカニラスタ ニノクライ (じゃんぱい!) |
” |
“ |
Nasta! Dibon! (scat) Raizonnei Wastireimyun Raizonnei nyurazastei Heinasa! Dyuwatsa! Zeimina! |
” |
“ |
なすた! ディボン! (scat) ライゾンネイ ワスティレイミュン ライゾンネイ ニュラザステイ ワスティレイミュン ミナケイジュン へいなさ! でゅわつぁ! ぜいみな! |
” |
“ |
Rakino rakino rakinoyo ribirribittasane Mawadi ruwari jarunashade Shiwaka charota nimerayaso Jettara Chas chas pas Pas pras yokendo |
” |
“ |
ラキノ ラキノ ラキノヨ リビッリビッタサネ マワディ ルワリ ジャルナシャデ ダリボ しわか ちゃろた にめらやそ じぇったら ちゃす ちゃす ぱす ぱす ぷらす よけんど |
” |
“ |
Astafmeya dennuhi Churibahinaie yaimare Mauna.na.na yasshijuminaha ha.ha Keremariteremarichanerarineraji Rani estanebi |
” |
“ |
アスタフメヤ デンヌヒ ちゅりばひないえ やいまれ マウナ・ナ・ナ ヤッシジュミナハ ハ・ハ けれまりてれまりちゃねらりねらじ らに えすたねび |
” |
Interviews
Also included in the booklet are fictional interviews of some of the "artists" who worked on the in-game music.
Marina (Off the Hook)
Japanese
イイダ(テンタクルズ)
ヒメ(MC/ボーカル)とイイダ(DJ/トラックメイカー/ボーカル)の二人組ユニット・テンタクルズ。「ハイカラニュース」の顔としてはもちろんのこと、クラブミュージックを広義かつ大胆に消化したそ数々の楽曲で、フェスでは街とバトルが彼女たちの色に染まる。サウンドの中核をになうイイダに、制作について話を聞いた。
⏺テンタクルズの曲作りの流れについて教えてください。
まずメインになる4小節くらいのリズムと、コード進行をります。最初はかなり厚めというか、多めの音数てとりあえずまとめておいてから、その抜き差しで展開をつくっていく感じですね。メロディとリリックはさらにその後です。
⏺ヒメさんのラップ部分もその時に作ってしまうのでしょうか?
いいえ、ラップは歌詞も含めてセンパイに丸投げです。ワタシは構成を決めておくだけです。
⏺ラップやボーカルの録音はどのように?
まずワタシのボーカルパートを、家で気が済むまでテイクを重ねて完成させます。センパイにはいつも「イイダ、カンぺキ主義!やりすぎだよ!」って言われちゃうんですけどね(笑)。その後にスタジオに入って、センパイのラップを録ります。いつも驚くんですけど、ほとんど1テイクで、ときどき2テイクめもやるくらい。「もう疲れたー、今のでいいっしょ?」って。でも、それだけでバッチリなんです。ワタシには絶対出せないスピード感……。
⏺音楽的なバックグラウンドについて。影響を受けたアーティストはいますか?
シオカラーズです!プロデューサーのShy-Ho-Shyさんとあわせてですけど、大好き……というのもおこがましいような。この話ならひと晚中できますよ(笑)。カバーされた「シオカラ節」のメロディがーか所だけ、わざと音階がら外していることの効果についてとか。シオカラーズは確実にワタシのルーツです。ただ、逆立ちしてもワタシにはあんな世界はつくれないので。ワタシなりのサウンドで、ヒメセンパイと「テンタクルズらしさ」を作っていけたらと思ってるんです。
種族や言葉を越えてしまうこと音楽のいちばんのすごさって
⏺シオカラーズといえば、彼女たちの「イマ・ヌラネバー!」をカバーいますね。
はい、センパイから「やっぱ、これやらないと締まらないっしょ!」って。シオカラーズ版も(Squid Squadの)カバーですか、ワタシにはとてもおそれ多くて「いいですけど、ボーカルはセンパイお願いいます……」ってお任せしまして。でも、トラックを作っていてすごく楽しかったです。ボーカルかー人でも寂しい感じにならないように、エフェクトをエ夫しています。
⏺「ウルトラ・カラーパルス」は、今やハイカラスクエアのフェスを象徴する一曲です。
「これからのフェスはこんな感じになるから、みんなをアゲる曲を作ってね」ってイベンターさんから渡されたスケッチに描かれていた、きらびやかなライティングがとても印象的で。「機材から信号を送って、テンポに合わせてライトを動かせますか?」って訊いたら「やってみよう」って。それをイメージして、うきうきしてリフを作りました。ステージから見える街やお客さんに、ワタシたちも本当にアゲられちゃうんですよ。
⏺この曲にもありますが、イイダさんのトラックに特徴的なのが、ときおり顔を出す工キゾチックな音色やフレーズです。ある種唐突で、ぶつ切り感もありますが、その意図は?
それ、すごくよく言われるんですけど、自分としてはごく自然にやってしまうことなんですよね……。音の切りはビートに合わせて、へンに余韻を残さずに切るのが確かに好みです。なんだかワタシの中のDNA?みたいなものが、そうさせるみたいなんですよね。
⏺「フルスロットル・テンタクル」は、じりじりと焦らすような前半と、リリカルで動きのある後半対照的ですね。
焦らしてますね〜。いわゆる「あいしい」部分ってずっと続くと慣れてしまうので、後にとっておいて、しかもあえて「食い足りない」くらいで次に行くようにしました。そうだ、思い出した!その後半部分で、ワタシとヒメセンパが交互にボーカルをとるんですけど。センパイ、録りのときに急にもじもじして「イイダ、ちょっとひとりにして!」って。なんだかちゃんと歌うのが恥ずかしかったんですかね。珍しく、何テイクもかかってました(笑)。
⏺ヒメさんからは、イイダさんの作るトラックについてリクエストがあったりするんでしょうか。
めちゃめちゃあります。リクエストっていうか、ダメ出し……。「なんかダサい!」とか「ラップしづらい」とか。そのときは凹んでしまうんですけど、よくよく自分で聴き直してみると、確かにその通りだなって思って。それで直したのを送ると「さすがイイダ、サイコーじゃん!」って言ってくれるから、やめられないんですよね〜。
⏺今後、テンタクルズはどのような進化をとげていくのでしょうか?
ワタシたち二人それぞれの強みをいかして、ハイカラスクエアのみなさんをどんどんアゲていきたいです!それだけではなくて、メロウだったり、チルアウト系のトラックも積極的にリリースしていきたいですね。音楽のいちばんのすごさって、ありきたりかもしれないけど、種族や言葉の違いを越えてしまうことだと思うんです。まだ会ったことのない誰かを応する、ワタシ個人はそんな想いてトラックを作っています。
Translation[5]
Marina (Off the Hook)
Off the Hook is a two-person unit formed by Pearl (MC/Vocalist) and Marina (DJ/Track Maker/Vocalist). Besides being the face of Inkopolis News, their bold take on club music has been embraced all over the place, and even the city's Splatfests and battles have been dyed into their colors. Marina, who has become the core of its sound, will tell us a little bit more about its production.
Please tell us about the flow in writing Off the Hook's songs.
First of all, I make the main rhythm and a chord progression of about four bars. It's very thick at first, full of lots of sounds, so it keeps getting bigger as I remove and add new ones. The melody and lyrics are done way after.
Do you take Pearl's rapping into account at that stage of the process?
No, I leave all the decision-making regarding the lyrics to Pearl. I only decide the composition.
How are the recordings for the rap and vocals made?
First, I'd take my vocal part, and finesse it with as many takes necessary until it feels like home. Pearl will always say "Marina, you're such a perfectionist!" "You're overdoing it!" (lol). After that, I'd go to the studio and record Pearl's rap. I'm always surprised that, even though it's done in one take most times, sometimes it'd need two takes, she'd say "I'm exhausted! is it ok now?" But that's all she needs for it to be spot-on. She has this speediness that I can never achieve...
Regarding the musical background, are there any artists that influence you?
The Squid Sisters! I've been in touch with their producer, Shy-Ho-Shy, and I love them... even though it sounds a bit presumptuous. I could go on about that all night long (lol). I'd like to talk about the effect of how their cover of the "Calamari Inkantation" is intentionally out of scale in a few places. The Squid Sisters are definitely my roots, but even if I stood on my head, I couldn't create a world like that. So, I'm hoping to create songs that have an "Off the Hook style" alongside Pearl.
Speaking of the Squid Sisters, you made a cover of their "Now or Never!" song, right?
Yes, Pearl said, "We gotta do this one after all!". Even though the Squid Sisters' version is also a cover (of Squid Squad), I was very nervous about it, so I told Pearl, "I'd like to leave the vocals to you if you don't mind...". But I had lots of fun making the tracks. I came up with an effect so the vocals wouldn't feel lonely despite being sung by one person.
"Color Pulse" has now become the main song for Splatfests.
I was told by the event organizer, "This is what Splatfests will be like from now on, so please make a song that will make everyone excited." as they showed me an amazing sketch full of glittering lightning. Then they asked, "Could you make it so when getting a signal from the equipment, the lights would move according to the tempo?" and I said, "Let's give it a go!". With that in mind, I got really passionate while making the tracks. Just seeing all the fans in the streets made us both really fired up.
Another thing about this song, your track has this characteristic where there would be exotic sounds and phrases that appear from time to time. It kind of feels abrupt and choppy, what's the intention behind that?
I say it all the time but it's just something I naturally do... like when I turn off the sound according to the beat, I definitely enjoy cutting the left-over reverberation in a weird way. I guess it's because of the DNA inside me. It seems like it's something I like to do.
In "Ebb & Flow", the first half feels like it gets more and more fired up, which contrasts with the lyrical movement of the second half.
It sure gets fired up, huh? Since you'd eventually get used to the "Tasty" part as it kept going, I left it for later, so when it started to feel like "Not enough" it'd switch to the next part. Oh right! I just remembered! In that latter part, Pearl and I would alternate vocals. At that time Pearl suddenly hesitated during the recording and said "Marina, leave me alone for a sec!". Guess she must've been a bit embarrassed about not singing properly. Oddly enough, we did a lot of takes (lol).
Do you get any track requests from Pearl?
Lots of them. Though I wouldn't call them requests... She'd go like "Something's wrong!" or "The rap feels rough". It would bring me down a bit at first, but after taking a better listen myself, I'd think the same way. And after I send it, she won't stop saying things like "It's amazing Marina! I knew you could do it!"
From now on, what kind of evolution can we expect from Off the Hook?
By supporting each other with our strengths, I want to keep entertaining everyone in Inkopolis Square! Not only that, I'd like to also release mellow and chill-out tracks someday. I think that the greatest thing about music is that it has the power to go beyond differences in species and language. It makes you want to root for someone you've never met before. That's how I personally feel when making my tracks.
Wet Floor
Japanese
Wet Floor Interview
シーンがまたカラフルになっていったらワクワクしますよね
こちらが理解したと思ったら、逃げていく。Wet Floorはそんなバンドだ。枠にはまらない。予想の通りにはいかない。それでいて、気が付くと僕らの心の深い底にはっきり、じっとりと染み込んでいる。前作『Color Rush』とはがらりと雰囲気を変えてきた最新作『Inkoming!』も、その例に漏れない。メンバー5人の想いを訊いた。
◯インタビュー=ニジマスヤ
⬤今回のアルバムは曲ごとにさまざまに色を変えていて全く飽きさせないし、のみならずWet Floorとハイカラスクエアの「今」を切りとったようなみずみずしさに溢れて いると思った。
全員「ありがとうございます!」
MIZOLE (Vo. G)「そうですね。例えば僕は、自分が生まれるより昔に流行った古い音楽も大好きなんですけど、あくまで『今生きてるこの時代からもらって、またそこへ返すもの』というスタンスで、Wet Floorで音楽やってます」
TSUMABUSHI (B)「というか、そうとしかできないよね」
⬤同時に改めて思ったのが、やっぱりWet Floorって「ひねくれてる」なあってことなんだよね。
KAZAMI (Dr)「(笑)」
MIZOLE「自分たちとしては、ひねくれてるつもりはないんですけどね」
RYAN (Vo. G)「あなたはひねくれてるよ。あたしやTSUMABUSHIとぜんぜん別のコード弾いてたりするじゃん」
KAGI (Synth)「なんていうか『ひと目見ただけでは把握しきれない絵』みたいな音楽を描きたい、っていう想いはありますね」
⬤ちょっと意地悪な質問になるかもしれないけど、それは「キャッチーはない」ともいえる?
MIZOLE「そうなるのかなあ」
⬤少なくとも、数年前にハイカラシティを席巻していた「ストレートなヤンチャさ」とは違うよね。
MIZOLE「ああ、それはそうしたかったんです。あのころって、抑えられない『初めて見る世界への興奮』みたいな空気に満たされてた。今の僕らは、それを自分たちの身体の中に染み込ませた上で、『同じ想いの仲間たちとそれをずっと共有していく決意』のようなものをアウトプットした。……うまく言い表せているのかはわからないけれど」
⬤なるほど。例えばあの頃の象徴のようでもあるSquid Squadの"Now or Never"をカバーしていながらも、Bメロでは一旦レイドバックして、大人数で「ヤー……」と唱和するとこるとか。
RYAN「そうですね。あそこは原曲から、コード進行も変えてみたんだよね」
KAGI「それも僕らの『今の気分』ですね」
⬤あるいは"Inkoming!"で、歌い出しでは《spラ spラ fラ オニャロ/インk オ シンk ファザロ》と挑発しておきながら、サビでは《ユガナ シヨ シヤセイ/ゴチュノ ワノ ワナサ》と、少し「人恋しさ」も見せるしたたかさで。
MIZOLE「うん、あのサビは、これまでの僕らだったら、ちょうと歌えなかった言葉だと思うんですよね。正直、迷いながら書いたんですけど。でもライブでオーディエンスと一緒に盛り上がっていると、そんなためらいはふっとんでいってしまう」
⬤ところで、同時に収録されている"Inkoming! (Cloud Demo)"というバージョン違いは?
KAGI「僕が最初にこのリフを作って、クラウドにアップロードして。それにみんなが好き勝手に自宅で重ねたプリプロですね。まずTSUMABUSHIがバッキバキのスラップを入れてきて」
TSUMABUSHI「最終的にはだいぶ抑えたよ。"Rip Entry"では遠慮しなかったけど(笑)」
⬤まさに「ハネまくっている」ギターから始まる4つ打ちチューンだね。どっしりとしたリズム隊が気持ちよく、ライブではフロアが縦に揺れる。この曲に限らないけど、TSUMABUSHIとKAZAMIの噛み合い具合はハンパないね。
MIZOLE「この二人、めちゃめちゃコソ練してますからね」
RYAN「スタジオ入る日も2時間くらい早くからリズム練してる」
KAZAMI「だって、曲が難しいんだもん!面白いけどね」
⬤その二人が、いちばん手ごわかった曲は何?
KAZAMI「断然"Don't Slip"でしょ。あの変拍子のリフ!あのリフをRYANが作ったっていうのが意外」
RYAN「作ってるとき、自分では変拍子だって気づかなかったんです。PCに録ってみてから『あれ?なんかヘンだぞ……』って(笑)」
TSUMABUSHI「ドラムンベース入った"Undertow"もけっこう手ごわかった。いきなりブレイク来るからね」
⬤他の曲も、まずリフからつくっていく流れ?
KAGI「基本的にそうですね。誰かがリフをアップして、そこにみんながとりあえず重ねていくところからです」
KAZAMI「ただ"Endolphin Surge"だけは違って、いきなりMIZOLEがメロディ先行で作ってきたんだよね。それがあのイントロ」
MIZOLE「仮タイトルが『青春』(笑)」
RYAN「アツいよね」
⬤確かにある種、気恥ずかしいくらいの王道感をもって始まりつつも、そこに留まらず、その後の展開はめまぐるしい。そこはやっぱりWet Floorらしさだなあって。そしてその「留まらなさ」は曲の中だけじゃなくて、冒頭にも言ったけど、曲·音楽性のバラエティにも言えると思うんだよね。このアルバム自体も、これまでの作品とは全然ムードが違うし。
MIZOLE「飽きっぽいんですね?『自分たちがまだやってないこと』は何だろう?って探しながら、いつも次の曲を作ってます」
KAGI「ナワバリバトルみたいだね。『もうここは塗った!まだ塗ってない場所はないか?』って(笑)」
⬤もしかしたら、さらに「塗り返してくる」別のバンドが現れたりして。
MIZOLE「すげえ面白いじゃないですか。そうやってシーンがまたカラフルになっていったら、ワクワクしますよね」
Translation[6]
It'd be exciting to see the music scene become colorful again
Just when we think we understand them, they get away from us. Wet Floor is that kind of band. They don't fit inside the box. They don't do what we'd expect. And yet, before we knew it, their music had become deeply ingrained in our hearts. Their latest album "Inkoming!", which has a completely different atmosphere from their previous album "Color Rush", is no exception. I asked the five members about their thoughts on the album.
Interviewer: Nijimasuya ⏺
⏺This album feels so colorful and changing in a way that I never get tired of. Not only that, I thought that it was overflowing with freshness as if it were a piece cut from the "now" of Wet Floor and Inkopolis Square.
Everyone: Thank you!
Mizo (Vo. G): Yeah, for example, I love old music that was popular before I was born, yet I take the stance that "I take from this era I am living now, so I should give back too," which is what I do when I play with Wet Floor.
Neil (B): I mean, that's really all you can do, isn't it?
⏺At the same time, I was reminded of how "twisted" Wet Floor is.
Candi (Dr): (Laughs)
Mizo: As far as we're concerned, we don't mean to be twisted.
Ryley (Vo. G): Oh but you're so twisted. You play chords that are totally different from mine and Neil's!
Keaton (Synth): I guess I want to create music that is like "a picture that cannot be fully understood at first glance".
⏺This might be a bit of a nasty question, but it could be called "not catchy."
Mizo: I wonder if that will happen.
⏺At least it's not the "straight-up naughtiness" that was sweeping Inkopolis a few years ago.
Mizo: Ah, yeah, that's the kind of thing I wanted to do. Those days were filled with an unbridled "excitement to see the world for the first time" kind of feeling. Now we've let it seep into our bodies, and our output is a kind of a "determination to keep on sharing it with like-minded people." I don't know if I'm putting this well.
⏺I see. For example, when you guys covered the iconic Squid Squad song "Now or Never!", which seems to be a symbol of those days, you have a big group of people chanting "Yeah..." in a laid-back B-melody.
Ryley: That's right. We changed the chord progression there too, from the original song.
Keaton: That's our "feeling" right now, too.
⏺Or in "Inkoming!", you stir up some excitement in the first bars (spla spla la o nyalo/ink o sink fazaro), but the chorus (yuganashoshiyasei/ nigochunowanowanasa), shows off a little "longing for others".
Mizo: Yeah, that chorus is something we wouldn't have been able to sing in the past. To be honest, I was hesitant while writing it. But when you're in a live setting and you're getting excited with the audience, all that hesitation just fades away.
⏺By the way, what is the difference with the version of "Inkoming! (Cloud Demo)" that was recorded at the same time?
Keaton: I initially wrote this riff and uploaded it to the cloud. And then everyone else did whatever they wanted with it at home. First, Neil added in a slapping bass line.
Neil: In the end, I held back a lot on the bass lines. I didn't hold back on "Rip Entry" though. (Laughs)
⏺It's a four-on-the-floor tune that starts with a very "springy" guitar. The weighty rhythm section feels great and makes the floor sway vertically at concerts. It's not just in this song, but the way Neil and Candi mesh with each other is unbelievable.
Mizo: Those two practice in secret like crazy.
Ryley: Even on days when we go to the studio, they start practicing the rhythm line a couple of hours early.
Candi: Hey the songs are hard! It's fun though.
⏺What was the most difficult song for you two to play?
Candi: It's definitely "Don't Slip". That riff is in such a weird time signature! Surprising that Ryley wrote that riff.
Ryley: When I was working on it, I didn't realize that it had an odd time signature, but when I recorded it on my computer, I thought, "Huh? Something's weird about it... (laughs)
Neil: The drum 'n bass in "Undertow" was pretty tough too. The break comes so fast.
⏺Are the other songs built off of a riff?
Keaton: Basically, yes. Someone uploads a riff, and then everyone adds to it.
Candi: The only difference is in "Endolphin Surge", where all of a sudden, Mizo made the melody first instead. That's the intro.
Mizo: Tentatively titled, "Youth." (laughs)
Ryley: That's intense.
⏺It certainly starts with a kind of embarrassingly classic feel, but it doesn't stop there, as what happens after that is dizzying. That's what makes Wet Floor so unique. And that fierceness isn't just in the songs; as I said at the beginning of this interview, I think it can be said for the variety of the song's musicality too. The album itself has a completely different mood than your previous works.
Mizo: Are you bored of it? What is that "what we haven't done yet?" That's what I'm always looking for when working on the next song.
Keaton: It's just like in Turf Wars. "I've already inked this place! Is there any place I haven't yet?" (laughs)
⏺Maybe there's another band that will 'ink you back' even more.
Mizo: Wouldn't that be super interesting? It'd be exciting to see the music scene become more colorful like that again.
Credits
Music by
- Toru Minegishi (disk 1 1-11, 17-23, 33, 34, disk 2 1-13, 15-20, 24, 25, 48)
- Ryo Nagamatsu (disk 1 track 12-16, 24-32, disk 2 14, 22, 23, 26-28, 47)
- Shiho Fujii (disk 1 33, disk 2 13, 21, 26-29)
Sound Effects by
- Takahisa Yamamoto (disk 1 33, disk 2 30, 31, 33-39, 44, 46)
- Mitsuhiro Kida (disk 1 20)
- Takuro Yasuda (disk 1 20, disk 2 32)
- Yuki Tsuji (disk 2 40-43)
- Shigetoshi Gohara (disk 2 45)
Performers
- Vocal: Hiroaki Takeuchi (disk 1 2-7)
- Vocal: Sachiko Watabe (disk 1 2-7)
- Vocal & Voice (Pearl): Rina Itou (disk 1 33, disk 2 1, 3-6, 8, 44)
- Vocal & Voice (Marina): Alice Peralta (disk 1 33, disk 2 1, 3-5, 44; as Alice)
- Vocal & Voice (Callie): Yuki Mizutani (disk 2 25-29; as keity.pop)
- Vocal & Voice (Marie): Mari Kikuma (disk 2 27-29)
- Electric Guitar: Akitoshi Kuroda (disk 1 1-7, 9, 11, 17)
- Electric Bass: Ikuo Shibutani (; as IKUO)
- Drums: Kei Yamazaki (disk 1 1-7, 9, 11, 17)
- Drums: Takahiko Obata (disk 2 12-14; as Pump Obata)
- Drums: Mizuki Ueda (disk 1 15, 16; as MIZUKI)
- Violin: Yu Manabe (disk 1 12-14)
- Cello: Seigen Tokuzawa (disk 1 27-29)
- Trumpet: Atsuki Yumoto (disk 1 15, 16)
- Piano: Ai Kuwabara (disk 1 15, 16)
Recorded & ProTools operated by
- Takashi Koiwa (disk 1 1-7, 9, 11-17, 27-19, 33, disk 2 1, 3-6, 8, 26-19; as Takashi Koiwa (SIGN SOUND LLC))
Mixed & ProTools operated by
- Takashi Koiwa (disk 1 12-16; as Takashi Koiwa (SIGN SOUND LLC))
Mastering Engineer
- Naomi Sassa (as Naomi Sassa (MEMORY TECH)
Gallery
Artwork
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Front cover artwork
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Wet Floor cover art
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Bottom Feeders cover art
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Ink Theory cover art
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New You single cover art, by DJ Real Sole
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Grizzco Industries cover art
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ω-3 cover art
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Off the Hook cover art
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Turquoise October cover art
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Squid Sisters cover art
Album booklet
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Track list
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Lyric sheet for Color Pulse, Ebb & Flow, Acid Hues, and Muck Warfare
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Album art for Off the Hook and Squid Sisters
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Album art for Bottom Feeders and Ink Theory
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Album art for DJ Real Sole and Turquoise October
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Interview with Wet Floor
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Interview with Marina
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Notes from composers Toru Minegishi, Ryo Nagamatsu, and Shiho Fujii, and credits
-
Back
Trivia
- This is the first album in the Splatoon series to not have a bonus track.
- Unlike previous albums with music featured on previews, the version of Inkoming! from the Nintendo Switch Presentation 2017 trailer still contains sound effects.
See also
- Splatune (Splatoon Original Soundtrack)
- Octotune (Splatoon 2 Original Soundtrack)
- Splatune 3 (Splatoon 3 Original Soundtrack)
References
- ↑
Post from Japanese Splatoon Twitter.
- ↑ Famitsu article
- ↑ Splatoon2 ORIGINAL SOUNDTRACK -Splatune2- (ゲーム・ミュージック) | CHART insight | Billboard JAPAN
- ↑ Splatoon 2: 18 007 units for Splatune 2 during launch week - Perfectly Nintendo
- ↑ English translation by elisenel on Tumblr, with revisions by rassicas.
- ↑ Translation by rassicas.